{ "id": 402, "date": "2020-04-03T15:47:57", "date_gmt": "2020-04-03T15:47:57", "guid": { "rendered": "http:\/\/philippemonges.com\/?page_id=402" }, "modified": "2020-05-19T03:33:40", "modified_gmt": "2020-05-19T03:33:40", "slug": "slave-trade-and-colonial-slavery", "status": "publish", "type": "page", "link": "https:\/\/philippemonges.com\/en\/exhibitions\/slave-trade-and-colonial-slavery\/", "title": { "rendered": "Slave trade and colonial slavery" }, "content": { "rendered": "

Sonj\u00e9 \u2013 Slave trade and colonial slavery<\/h2>\n\n\n\n
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Engaged since 2007, with the help of historians, archaeologists and various specialists, I photographed the heritage of the slave trade and colonial slavery, and its landscapes : forts, landing stages, plantations (sugar refinery, cafeteria, mansion), shipowners’ buildings, places of combat and marronnage, cemeteries of slaves. These photographs were taken in Africa (Ghana, Senegal), in the overseas territories (Martinique, Guadeloupe, Guyana, R\u00e9union), in Haiti and in mainland France (Bordeaux, La Rochelle, Lorient, Le Havre, Nantes, Marseille).

read more<\/p>

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This project has been doubly labeled (10-year label of the Taubira law by the French Overseas Ministry and the Slave Route label by UNESCO). It has been the subject of around 25 exhibitions in communities and museums, in France and abroad (see Exhibitions in situ).<\/p>\n\n\n\n

The MEMWA<\/em> book brings together this photographic work accompanied by legends and landmarks, as well as texts by Fran\u00e7oise VERG\u00c8S, Fr\u00e9d\u00e9ric R\u00c9GENT, Doudou DI\u00c8NE, \u00c9douard MAUNICK.<\/p>\n\n\n\n

I am continuing this project today through the other European countries involved in trafficking and slavery, the United States and the Caribbean, East Africa and the Indian Ocean.

read less<\/p><\/div><\/div><\/p>\n\n\n\n

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\n \"Visual\n <\/div>\n <\/div>\n
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Fort de Cape Coast, Ghana<\/h3>\n <\/div>\n
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\n Fort de Cape Coast, Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Habitation Murat, Guadeloupe<\/h3>\n <\/div>\n
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\n Habitation Murat, Guadeloupe<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Habitation Murat, Guadeloupe<\/h3>\n <\/div>\n
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\n Habitation Murat, Guadeloupe<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Marseille<\/h3>\n <\/div>\n
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\n Marseille<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Palais de Sans Souci, Ha\u00efti<\/h3>\n <\/div>\n
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\n Palais de Sans Souci, Ha\u00efti<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Bordeaux<\/h3>\n <\/div>\n
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\n Bordeaux<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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L'oc\u00e9an Atlantique<\/h3>\n <\/div>\n
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Entraves<\/h3>\n <\/div>\n
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Maison de l'armateur, Le Havre<\/h3>\n <\/div>\n
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\n Maison de l'armateur, Le Havre<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Maison de l'armateur, Le Havre<\/h3>\n <\/div>\n
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\n Maison de l'armateur, Le Havre<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Moulin et champ de cannes \u00e0 sucre, Guadeloupe<\/h3>\n <\/div>\n
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\n Moulin et champ de cannes \u00e0 sucre, Guadeloupe<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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La Maison des esclaves, \u00cele de Gor\u00e9e, S\u00e9n\u00e9gal<\/h3>\n <\/div>\n
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\n La Maison des esclaves, \u00cele de Gor\u00e9e, S\u00e9n\u00e9gal<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort d'Elmina, Ghana<\/h3>\n <\/div>\n
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\n Fort d'Elmina, Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Baie de Cape Coast, Ghana<\/h3>\n <\/div>\n
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\n Baie de Cape Coast, Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort et c\u00f4te du Ghana<\/h3>\n <\/div>\n
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\n Fort et c\u00f4te du Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort Drouet, Ha\u00efti<\/h3>\n <\/div>\n
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\n Fort Drouet, Ha\u00efti<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Citadelle Laferriere, Ha\u00efti<\/h3>\n <\/div>\n
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\n Citadelle Laferriere, Ha\u00efti<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort de Cape Coast, Ghana<\/h3>\n <\/div>\n
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\n Fort de Cape Coast, Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Cirque de Cilaos, r\u00e9gion de marronage, La R\u00e9union<\/h3>\n <\/div>\n
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\n Cirque de Cilaos, r\u00e9gion de marronage, La R\u00e9union<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort de Joux, prison de Toussaint Louverture, France<\/h3>\n <\/div>\n
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\n Fort de Joux, prison de Toussaint Louverture, France<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Le Grand Blottereau, ch\u00e2teau d'armateur n\u00e9grier, Nantes<\/h3>\n <\/div>\n
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\n Le Grand Blottereau, ch\u00e2teau d'armateur n\u00e9grier, Nantes<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Les Grands Fonds, lieu de marronage, Guadeloupe<\/h3>\n <\/div>\n
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\n Les Grands Fonds, lieu de marronage, Guadeloupe<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Rives du Maroni, r\u00e9gion de marronage, Guyane<\/h3>\n <\/div>\n
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\n Rives du Maroni, r\u00e9gion de marronage, Guyane<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Martinique<\/h3>\n <\/div>\n
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\n Martinique<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Sur le fleuve Maroni, Guyane<\/h3>\n <\/div>\n
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\n Sur le fleuve Maroni, Guyane<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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<\/p>", "protected": false }, "excerpt": { "rendered": "

Sonj\u00e9 \u2013 Slave trade and colonial slavery Engaged since 2007, with the help of historians, archaeologists and various specialists, I photographed the heritage of the…<\/p>", "protected": false }, "author": 1, "featured_media": 0, "parent": 22, "menu_order": 36, "comment_status": "closed", "ping_status": "closed", "template": "", "meta": { "_coblocks_attr": "", "_coblocks_dimensions": "", "_coblocks_responsive_height": "", "_coblocks_accordion_ie_support": "", "kt_blocks_editor_width": "", "_vp_format_video_url": "", "_vp_image_focal_point": [] }, "_links": { "self": [ { "href": "https:\/\/philippemonges.com\/en\/wp-json\/wp\/v2\/pages\/402" } ], "collection": [ { "href": "https:\/\/philippemonges.com\/en\/wp-json\/wp\/v2\/pages" } ], "about": [ { "href": "https:\/\/philippemonges.com\/en\/wp-json\/wp\/v2\/types\/page" } ], "author": [ { "embeddable": true, "href": "https:\/\/philippemonges.com\/en\/wp-json\/wp\/v2\/users\/1" } ], "replies": [ { "embeddable": true, "href": "https:\/\/philippemonges.com\/en\/wp-json\/wp\/v2\/comments?post=402" } ], "version-history": [ { "count": 20, "href": "https:\/\/philippemonges.com\/en\/wp-json\/wp\/v2\/pages\/402\/revisions" } ], "predecessor-version": [ { "id": 1570, "href": "https:\/\/philippemonges.com\/en\/wp-json\/wp\/v2\/pages\/402\/revisions\/1570" } ], "up": [ { "embeddable": true, "href": "https:\/\/philippemonges.com\/en\/wp-json\/wp\/v2\/pages\/22" } ], "wp:attachment": [ { "href": "https:\/\/philippemonges.com\/en\/wp-json\/wp\/v2\/media?parent=402" } ], "curies": [ { "name": "wp", "href": "https:\/\/api.w.org\/{rel}", "templated": true } ] } }