{ "id": 630, "date": "2020-04-09T11:00:29", "date_gmt": "2020-04-09T11:00:29", "guid": { "rendered": "http:\/\/philippemonges.com\/?page_id=630" }, "modified": "2020-05-10T16:00:48", "modified_gmt": "2020-05-10T16:00:48", "slug": "bibliography", "status": "publish", "type": "page", "link": "https:\/\/philippemonges.com\/en\/biblio-in-situ\/bibliography\/", "title": { "rendered": "Bio & Biblio" }, "content": { "rendered": "
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Biography<\/h4>\n\n\n\n
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For 30 years, photography has been a common thread, a way of looking at the world and questioning our societies and our identities. During my studies (Master of Modern Letters at the Sorbonne and Master of Photography in Paris 8) and the beginning of my professional life (French teacher abroad), I first practiced it as an author. I then practiced photography on a professional basis by producing reports for the written press. Journalist specializing in ecology and the environment for 10 years, I then developed a dual skill as an editor and photographer.<\/p>\n\n\n\n

A little over 15 years ago, I decided to devote myself to photography. I do this through commissions in the fields of architecture and heritage, portraiture, reporting. I did not give up writing because some of these commands integrate photography and editorial. Interviews or testimonies then enrich portraits, places and landscapes, and interact with the images.<\/p>\n\n\n\n

At the same time, I am continuing my work as an author through artistic residencies in France and abroad, and participative photographic workshops, notably within the framework of urban policy measures. These workshops allow audiences far from cultural practices to discover photography and participate in a collective project that takes the form of a publication or an exhibition. These projects question the notions of individual and collective identity (person, community, territory). They also question history, memories and the notion of testimony (oral, written, archive).<\/p>\n\n\n\n

Thanks to the everyone who trusted me : La Fondation France Libert\u00e9, France Terre d\u2019Asile, Emma\u00fcs Solidarit\u00e9, Engie, JCDecaux, A\u00e9roport de Paris, Le Minist\u00e8re des Outre-mer, French national education, the cities of Paris, Palaiseau, Clichy, Romainville, Le Pr\u00e9-Saint-Gervais, Aubervilliers, Saint-Denis, Epinay-sur-Seine, Stains, Pierrefitte, Le Palais de la Porte Dor\u00e9e, Histoire et Patrimoine, various hotels, various architectural agencies, etc.<\/p>\n\n\n\n

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Bibliography<\/h4>\n\n\n\n
  • Place aux femmes<\/em>, booklet, 30 pages.<\/li><\/ul>\n\n\n\n
    • Aubervilliers, Les Transformations urbaines d\u2019une ville populaire<\/em>, book, 121 pages.<\/li><\/ul>\n\n\n\n
      • Memwa, Sur les traces de la traite n\u00e9gri\u00e8re et de l\u2019esclavage colonial,<\/em> book, 144 pages, with the support of Minist\u00e8res de la Culture et des Outre-mer.<\/li><\/ul>\n\n\n\n
        • Traces de l\u2019histoire coloniale<\/em>, publication of Mus\u00e9e de l\u2019histoire de l\u2019immigration, 16 pages, semaine d\u2019\u00e9ducation et d\u2019actions contre le racisme et l\u2019antis\u00e9mitisme, with the support of the D\u00e9l\u00e9gation interminist\u00e9rielle \u00e0 la lutte contre le racisme et l’antis\u00e9mitisme (DILCRA).<\/li><\/ul>\n\n\n\n
          • Images de l\u2019alt\u00e9rit\u00e9 coloniale dans l\u2019iconographie du Palais de la Porte Dor\u00e9e<\/em>, publication of Mus\u00e9e de l\u2019histoire de l\u2019immigration, 16 pages, semaine d\u2019\u00e9ducation et d\u2019actions contre le racisme et l\u2019antis\u00e9mitisme, with the support of the D\u00e9l\u00e9gation interminist\u00e9rielle \u00e0 la lutte contre le racisme et l’antis\u00e9mitisme (DILCRA).<\/li><\/ul>\n\n\n\n
            • Nouveaux habitants<\/em>, booklet, 36 pages.<\/li><\/ul>\n\n\n\n
              • Le Newburn<\/em>, booklet, 36 pages.<\/li><\/ul>\n\n\n\n
                • Chim\u00e8res<\/em>, booklet, 24 pages.<\/li><\/ul>\n\n\n\n
                  • Lieux d\u2019Histoire, M\u00e9moire des Lieux, <\/em>exhibition catalogue, 36 pages, Mus\u00e9e Sch\u0153lcher, Guadeloupe.<\/li><\/ul>\n\n\n\n
                    • R\u00e9sistances<\/em>, textes de Patrick Chamoiseau, exhibition catalogue, 12 pages, CMAC, Martinique.<\/li><\/ul>\n\n\n\n

                      <\/p>\n\n\n\n

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