{"id":402,"date":"2020-04-03T15:47:57","date_gmt":"2020-04-03T15:47:57","guid":{"rendered":"http:\/\/philippemonges.com\/?page_id=402"},"modified":"2020-05-19T03:33:40","modified_gmt":"2020-05-19T03:33:40","slug":"slave-trade-and-colonial-slavery","status":"publish","type":"page","link":"https:\/\/philippemonges.com\/fr\/exhibitions\/slave-trade-and-colonial-slavery\/","title":{"rendered":"Traite n\u00e9gri\u00e8re et esclavage colonial"},"content":{"rendered":"

Sonj\u00e9 - Traite n\u00e9gri\u00e8re et esclavage colonial<\/h2>\n\n\n\n
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Engag\u00e9 depuis 2007, avec l'aide d'historiens, d'arch\u00e9ologues et de divers sp\u00e9cialistes, j\u2019ai photographi\u00e9 le patrimoine de la traite n\u00e9gri\u00e8re et de l'esclavage colonial, et ses paysages : forts, d\u00e9barcad\u00e8res, plantations (sucrerie, caf\u00e9terie, maison de ma\u00eetre), immeubles d'armateurs, lieux de combat et de marronnage, cimeti\u00e8res d'esclaves. Ces photographies ont \u00e9t\u00e9 r\u00e9alis\u00e9es en Afrique (Ghana, S\u00e9n\u00e9gal), dans les territoires d\u2019Outre-mer (Martinique, Guadeloupe, Guyane, R\u00e9union), en Ha\u00efti et en m\u00e9tropole (Bordeaux, La Rochelle, Lorient, Le Havre, Nantes, Marseille, le fort de Joux).

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Ce projet est doublement labellis\u00e9 (label 10 ans de la loi Taubira par le Minist\u00e8re des Outre-mer et label La Route de l\u2019Esclave par l\u2019UNESCO). Il a fait l'objet d\u2019environ 25 expositions au sein de collectivit\u00e9s et de mus\u00e9es, en France et \u00e0 l\u2019\u00e9tranger (voir Exhibitions in situ).<\/p>\n\n\n\n

Le livre MEMWA rassemble ce travail photographique accompagn\u00e9 de l\u00e9gendes et de rep\u00e8res, ainsi que de textes de Fran\u00e7oise VERG\u00c8S, Fr\u00e9d\u00e9ric R\u00c9GENT, Doudou DI\u00c8NE, \u00c9douard MAUNICK.<\/p>\n\n\n\n

Je poursuis aujourd\u2019hui ce projet \u00e0 travers les autres pays europ\u00e9ens impliqu\u00e9s dans la traite et l\u2019esclavage, les \u00c9tats-Unis et les Cara\u00efbes, l\u2019Afrique de l\u2019Est et l\u2019Oc\u00e9an indien.

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\n \"Visual\n <\/div>\n <\/div>\n
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Fort de Cape Coast, Ghana<\/h3>\n <\/div>\n
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\n Fort de Cape Coast, Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Habitation Murat, Guadeloupe<\/h3>\n <\/div>\n
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\n Habitation Murat, Guadeloupe<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Habitation Murat, Guadeloupe<\/h3>\n <\/div>\n
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\n Habitation Murat, Guadeloupe<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Marseille<\/h3>\n <\/div>\n
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\n Marseille<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Palais de Sans Souci, Ha\u00efti<\/h3>\n <\/div>\n
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\n Palais de Sans Souci, Ha\u00efti<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Bordeaux<\/h3>\n <\/div>\n
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\n Bordeaux<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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L'oc\u00e9an Atlantique<\/h3>\n <\/div>\n
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Entraves<\/h3>\n <\/div>\n
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Maison de l'armateur, Le Havre<\/h3>\n <\/div>\n
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\n Maison de l'armateur, Le Havre<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Maison de l'armateur, Le Havre<\/h3>\n <\/div>\n
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\n Maison de l'armateur, Le Havre<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Moulin et champ de cannes \u00e0 sucre, Guadeloupe<\/h3>\n <\/div>\n
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\n Moulin et champ de cannes \u00e0 sucre, Guadeloupe<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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La Maison des esclaves, \u00cele de Gor\u00e9e, S\u00e9n\u00e9gal<\/h3>\n <\/div>\n
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\n La Maison des esclaves, \u00cele de Gor\u00e9e, S\u00e9n\u00e9gal<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort d'Elmina, Ghana<\/h3>\n <\/div>\n
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\n Fort d'Elmina, Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Baie de Cape Coast, Ghana<\/h3>\n <\/div>\n
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\n Baie de Cape Coast, Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort et c\u00f4te du Ghana<\/h3>\n <\/div>\n
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\n Fort et c\u00f4te du Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort Drouet, Ha\u00efti<\/h3>\n <\/div>\n
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\n Fort Drouet, Ha\u00efti<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Citadelle Laferriere, Ha\u00efti<\/h3>\n <\/div>\n
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\n Citadelle Laferriere, Ha\u00efti<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort de Cape Coast, Ghana<\/h3>\n <\/div>\n
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\n Fort de Cape Coast, Ghana<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Cirque de Cilaos, r\u00e9gion de marronage, La R\u00e9union<\/h3>\n <\/div>\n
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\n Cirque de Cilaos, r\u00e9gion de marronage, La R\u00e9union<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Fort de Joux, prison de Toussaint Louverture, France<\/h3>\n <\/div>\n
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\n Fort de Joux, prison de Toussaint Louverture, France<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Le Grand Blottereau, ch\u00e2teau d'armateur n\u00e9grier, Nantes<\/h3>\n <\/div>\n
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\n Le Grand Blottereau, ch\u00e2teau d'armateur n\u00e9grier, Nantes<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Les Grands Fonds, lieu de marronage, Guadeloupe<\/h3>\n <\/div>\n
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\n Les Grands Fonds, lieu de marronage, Guadeloupe<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Rives du Maroni, r\u00e9gion de marronage, Guyane<\/h3>\n <\/div>\n
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\n Rives du Maroni, r\u00e9gion de marronage, Guyane<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Martinique<\/h3>\n <\/div>\n
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\n Martinique<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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Sur le fleuve Maroni, Guyane<\/h3>\n <\/div>\n
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\n Sur le fleuve Maroni, Guyane<\/h2>\n\n <\/a> <\/div>\n<\/figcaption>\n <\/figure>\n <\/div>\n \n
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<\/p>","protected":false},"excerpt":{"rendered":"

Sonj\u00e9 \u2013 Slave trade and colonial slavery Engaged since 2007, with the help of historians, archaeologists and various specialists, I photographed the heritage of the…<\/p>","protected":false},"author":1,"featured_media":0,"parent":22,"menu_order":36,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","kt_blocks_editor_width":"","_vp_format_video_url":"","_vp_image_focal_point":[]},"_links":{"self":[{"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages\/402"}],"collection":[{"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/comments?post=402"}],"version-history":[{"count":20,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages\/402\/revisions"}],"predecessor-version":[{"id":1570,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages\/402\/revisions\/1570"}],"up":[{"embeddable":true,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages\/22"}],"wp:attachment":[{"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/media?parent=402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}