{"id":451,"date":"2020-04-04T11:36:17","date_gmt":"2020-04-04T11:36:17","guid":{"rendered":"http:\/\/philippemonges.com\/?page_id=451"},"modified":"2020-05-19T03:36:02","modified_gmt":"2020-05-19T03:36:02","slug":"louisiana-songs","status":"publish","type":"page","link":"https:\/\/philippemonges.com\/fr\/exhibitions\/louisiana-songs\/","title":{"rendered":"Louisiana Songs"},"content":{"rendered":"

Louisiana Songs<\/h2>\n\n\n\n
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Louisiana Songs est le fruit d\u2019une r\u00e9sidence artistique r\u00e9alis\u00e9e aux \u00c9tats-Unis. Ces diptyques associent des photographies d\u2019Afro-am\u00e9ricains prises dans des studios photo de la fin du XIXe et du d\u00e9but XXe si\u00e8cle, avec des paysages r\u00e9alis\u00e9es durant la r\u00e9sidence. Ces portraits donnent \u00e0 voir des descendants d\u2019esclaves, \u201clibres\u201d mais encore asservis \u00e9conomiquement et socialement, aux droits civiques et politiques inexistants ou bafou\u00e9s.

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Ce travail artistique en fige l\u2019empreinte photographique avant que leurs \u00e9mulsions ne disparaissent d\u00e9finitivement. Il interroge l\u2019identit\u00e9, les m\u00e9moires et les paysages de Louisiane, miroirs de ces visages aussi anonymes que l\u2019\u00e9taient les rares photographies d\u2019esclaves arrach\u00e9s \u00e0 leurs terres africaines et qui avaient perdu jusqu\u2019\u00e0 leur nom.<\/p>\n\n\n\n

Cette r\u00e9sidence a fait l\u2019objet d\u2019une exposition internationale itin\u00e9rante (France, Cameroun, \u00c9tats-Unis) dans le cadre du projet europ\u00e9en Tostem. R\u00e9sidence et exposition sont \u00e0 l\u2019initiative de l\u2019association nantaise, Les Anneaux de la M\u00e9moire.

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Louisiana Songs 1<\/h3>\n <\/div>\n
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Louisiana Songs 2<\/h3>\n <\/div>\n
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Louisiana Songs 3<\/h3>\n <\/div>\n
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Louisiana Songs 4<\/h3>\n <\/div>\n
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Louisiana Songs 5<\/h3>\n <\/div>\n
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Louisiana Songs 6<\/h3>\n <\/div>\n
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Louisiana Songs Louisiana Songs is the fruit of an artistic residency in the United States. These diptychs combine photographs of African Americans taken in photo…<\/p>","protected":false},"author":1,"featured_media":0,"parent":22,"menu_order":38,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","kt_blocks_editor_width":"","_vp_format_video_url":"","_vp_image_focal_point":[]},"_links":{"self":[{"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages\/451"}],"collection":[{"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/comments?post=451"}],"version-history":[{"count":20,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages\/451\/revisions"}],"predecessor-version":[{"id":1572,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages\/451\/revisions\/1572"}],"up":[{"embeddable":true,"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/pages\/22"}],"wp:attachment":[{"href":"https:\/\/philippemonges.com\/fr\/wp-json\/wp\/v2\/media?parent=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}